![dashboard confessional dusk and summer deluxe edition rar dashboard confessional dusk and summer deluxe edition rar](https://images.genius.com/28b18e6fe13dc7a50600ded629662c61.300x301x1.png)
Quote James Chapman, aka Maps, is yet another British laptop electro one-man band, in the mould of Calvin Harris and Theoretical Girl. This is the greatest rock and roll record to come out in the last 50 years." I think I need to throw away the rules in my head about music and start over. I am scared to buy the other CD's because no way can they do better than Ink & Dagger. It's hate and love lusting for one another in bed. I was awestruck the first time i heard this CD. Sane people do not write music like this. Don't let that deter you, you are a warrior on a mission. Quite a few people were uncomfortable with this release when it came out. Fast forward almost ten years and I'm still recommending a record from the year 2000. I was all over it, spreading the word, infecting the town. The first time I saw them was on their first tour in '96, in Tulsa. This record really defines the bands' evolution, just as each of their previous releases were giant leaps forward for punk rock. As such, it flew relatively low under the majorities' radar. "This posthumous release was absolutely one the most important releases of 2000. A tragic end to one of the most original and awe-inspiring voices rock music ever produced." Ink & Dagger was mainly composed of Sean McCabe and Don Devore during its existence, and sadly Sean died shortly before this album was released. A blistering assault of riffs packed within riffs, layers of guitars and effects, this album is decades ahead of its time. This, the final self-titled work of Ink & Dagger transcends any and all boundaries in punk rock music or rock music or even just music. While a critical overview of their work is much needed, I will attempt to simply convey how amazing this album is. "Ink & Dagger are arguably the most underrated, greatest unheard band in rock and roll. AllmusicĬode: !re.com/download.php?b圓dzaag0n3 As a result, Strict Joy is a joy from start to finish, and few bands manage to mix intimacy and sweeping songcraft with such finesse. Also striking are the performances by Markéta Irglová, who turns her fragile voice - an instrument that always seemed detrimentally self-conscious on previous albums - into something alluring on "Fantasy Man" and "I Have Loved You Wrong." It's testament to the band's vision that they remain focused despite such improvements no amount of cinematic orchestration can change the fact that these songs are, after all, inward-looking tunes about heartbreak and personal struggle, and their lyrics resonate regardless of their wrapping paper. The results are quite often gorgeous, with songs like "The Rain" and "Wild Horses" building up to expansive, cathartic climaxes over the course of several minutes. Instead, Strict Joy devotes more concern to exploring the lush possibilities of Swell Season's sound, which now includes tasteful doses of strings, electric guitar, and overdubbed harmonies. Van Morrison's influence is still apparent, particularly in the '70s-styled soul of "Low Rising," but the singer/songwriter ambience that permeated Once's music doesn't carry as much weight here. If the Once soundtrack was a bit spotty - its track list culled from a haphazard array of old Frames songs, Van Morrison covers, collaborative material, and musicians' own tunes - then Strict Joy shows what the Swell Season can do with a singular theme and a solid backing band, both of which contribute to the album's cohesion. Hansard has used heartbreak for fuel in the past, and he keeps the blaze going throughout these 12 tracks. Released two years after the film's release, however, Strict Joy finds Hansard and Irglová going their separate ways, choosing to end their relationship while remaining in the same band. While playing international venues and attending industry award shows, the two attracted additional attention for their real-life relationship, which effectively replaced Once's semi-tearful conclusion with a storybook ending. The Once soundtrack was also a big hit, turning Hansard's side project with simpatico songwriter Markéta Irglová into a full-fledged, award-winning, globetrotting band. Although popular in Ireland, the singer's music wasn't nearly as omnipresent in other countries until the movie's release, which catapulted former Frames tunes like "Falling Slowly" into the spotlight. Quote When Once hit theaters in 2007, Glen Hansard had already pursued international acclaim for more than 15 years with the Frames.